Shiki kukai October 2015

Just as I had become almost resigned to playing the bridesmaid in Shiki kukai contest, out of the blue came this recent kukai results and to my (first)utter disbelief and (later) delight, I find my name as the winner in the free format section!! So, finally...

And this was the winning entry in the FF section, the topic was "SPARK".

last sparks

from the dying embers...

my hand in his

Shiki kukai August, 2015

This was my entry in the shiki kukai kigo section last month and managed to get a fifth place.
The prompt was : starlit night.

starlit night...

no longer looking

for words

Shiki kukai July 2015

And also the ku that was placed third in the Kigo section.
The prompt was : Tropical night/summer night

the faint curve

of a bare shoulder-

tropical night

July 2015 shiki kukai

The verse that managed to get only 4 points in the free format section.

 The theme was "quiet".

rolling wheat fields...

the fragrance of noonday

quiet

Shiki kukai, June 2015

From Shiki kukai ,free format section.
The subject was "insect metamorphosis".

a cicada shell

full of night...the emptiness

 that lingers

June 2015

World haiku review

I know I've been neglecting my blog. But I promise to change.And for a starter, one of my poems published in the current (June, 2015) issue of World Haiku Review. Actually, it's my debut in the journal.

thrush song...

who am I 

to figure you out

(Honorable mention in the shintai section)

NaPoMo, April 30

Darkness
wet with
the sound of the waves

With these lines, Santoka had me hooked. And afterwards, as I found and read more of his poems, I became totally mesmerised with his poetry.

Twilight -  the sound

of a sad letter

being dropped in a postbox

Taneda Santoka has not been accorded a place among the greatest Japanese masters,the quartet of Basho, Buson, Issa and Shiki.Yet who else but this beggar-monk poet could have written this verse?

whiteness of the rice,

red of pickled plum,

these treasures...

Nobody but Santoka could have made us listen to the rain like this:

even the sound of raindrops

has grown older

I was moved by the depth of his anguish when he wrote:

slowly, slowly
falling into ruin
my final autumn

And my seduction was complete, when I read this.

when I'm dead

and gone

rain on weeds

NaPoMo, April 29

Kobayashi Issa has been by far the most loved and most popular poet among the Japanese masters. His snail,cat, sparrow, spider;  or the thatched hut...everything has been emulated and rewritten multiple times and will continue to be so.

Here are just a few of  my favourites:

my dead mother—
every time I see the ocean
every time...

The distant mountains

reflected in the eye

of the dragonfly

on the tips

of my outstretched toes...

billowing clouds

A poor box,

four or five pennies,

evening rain

When I go,

guard my tomb well,

grasshopper

NaPoMo, April 28.

no bridge

and the sun going down--
spring currents

Although I had always thought that I liked Issa the most among the famous quartet of Japanese masters, yet I find the pages of the little notebook that contain my favourite haiku, filled with the verses of Buson more than anybody else's. Yosa Buson, the second among the greatest Japanese masters,lived from 1716 to 1784 and was a painter of distinction as well as a poet which explains why his poetry is so vivid and sensuous, so rich in visual detail.

old well

leaping for a mosquito

a dark fish sound

young bamboo trees

at Hashimoto -- the courtesan,

is she still there or not?

       I go
you stay;
       two autumns.

NaPoMo, April 27

A wanderer,

so let that be my name--

the first winter rain

With only four more days remaining for the national poetry month to come to an end, there cannot be a better time to remember Matsuo Basho, widely recognized as the father of haiku and the greatest of the Japanese masters. He always wrote in a style that is simple and natural, yet with "a trace of the pathos of  the beautiful mortality".

With a warbler for
a soul, it sleeps peacefully,
this mountain willow




Along this road,
not a single soul-- only
autumn evening

And finally, this magical one:

the sea darkens--
a wild duck's call
faintly white

NaPoMo, April 26

I hadn't planned anything for today, so this poem just flew in and kinda perched itself on this page. So, here is Emily Dickinson.

It's  All I Have To Bring Today

It's all I have to bring today –
This, and my heart beside –
This, and my heart, and all the fields –
And all the meadows wide –
Be sure you count – should I forget
Some one the sum could tell –
This, and my heart, and all the Bees
Which in the Clover dwell.

Emily Dickinson

NaPoMo, April 25

And we cannot leave Oscar Wilde out of NaPoMo, can we?

After all the inwardness of tanka and poetry of death and loss, let's just revel in these images.

Symphony in Yellow

 An omnibus across the bridge

Crawls like a yellow butterfly

And, here and there, a passer-by

Shows like a little restless midge.

Big barges full of yellow hay

Are moored against the shadowy wharf,

And, like a yellow silken scarf,

The thick fog hangs along the quay.

The yellow leaves begin to fade

And flutter from the Temple elms,

And at my feet the pale green Thames

Lies like a rod of rippled jade.

Oscar Wilde 

NaPoMo, April 24

I don't know who is the author of this poem,or from where I picked it up, but it was sitting there in the list of my favourites. If anybody is aware of it, please let me know.

there are two types

 

there are two types
of loss –
one that removes
each worn
shoe slowly and
with precision,
the other
squirming
out of the
day’s combat
boots with
decisive
abandon

Poet unknown

NaPoMo,April 23

Another tanka by Larry Kimmel who remains one of my all-time favourites.

a name and an epitaph

blurred by green moss--
life in the end

little more than a dash

between two dates

Larry Kimmel

NaPoMo, April 22

To love or not to love, either way, who could be better than Neruda?

Sonnet Xvii

I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way

than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.

Pablo Neruda

NaPoMo,April 21

The "tall ship sailor" and tanka poet M.Kei has such an amazing wealth of work, that I find myself at a loss about which one to choose for today's post. Yet choose I must and this is my selection.

the slattern houses sag

on a mean street in a small town,

floral sheets for curtains

cinder blocks for steps

and the fetid smell of despair

M.Kei

And because I wasn't able to resist...this one,too.

things that come

 with the fog:

horseshoe crabs,

tall ships

and wandering hearts

M.Kei

NaPoMo, April 20

Another Indian poet with whose work I've become familiar only recently, but it's easy to understand why he is regarded highly among peers.

sometimes

she wears my spectacles--

I wonder

do they help her

to see my point of view?

A. Thiagarajan

NaPoMo, April 19

Again this may not be one of her best, but it resonates with me so much!
Here is the face of Indian haiku and tanka, Kala Ramesh.


.

at twilight

the forest I know

by sight

becomes a forest of sound...

cicada summer

Kala Ramesh

NaPoMo, April 18

The magic of Tom Clausen.

the further away it gets

the more magical it becomes,

those times at night

in the back seat,

my parents taking us someplace...

Tom Clausen

                                                 

 

 

NaPoMo, April 17

I had something else lined up for today. But since April 17 happens to be the International Haiku poetry day, let me post some haiku instead. I had avoided posting haiku so far this month, as I thought lately the standard of haiku being written has fallen considerably. Maybe it's only me! But everything I read these days seems to be a rehash of something I have read before. Especially in the kukai contests where if a certain verse is successful, it seems to bring about a plethora of similar verses in its wake. God knows how many times the fishing net has caught what kind of  reflections from the depths of the sea; if one beggar has shared his bread or blanket successfully, then poem after poem in edition after edition we find that ubiquitous beggar attempting the same thing and last but not the least, a straight lift from the Japanese masters. Issa must be the most maligned one in this matter. A turn of phrase here and there and you see Issa staring at you from the kukai winners lists. Each time. Yes, almost each time!

And let me tell you that the latest trend that seems to be catching on is: soldiers.No doubt we are going to see a slew of dead soldiers in the next few months. Not that these verses are not well-written; they are all beautiful and lyrical; but just that they seem so predictable and so artificially designed to tug at the heartstrings.

But enough of my raves and rants! I am sure this all must be a case of sour grapes with me. Having failed to win a single shiki kukai in all these years, I now look suspiciously at everything I see.So anyway, today I'll feature here just two of the haiku from the handful I've loved from my recent readings. The first one is by Melissa Allen...so refreshing after all the recycled stuff.

autumn sky

only one of us

deciduous

     Melissa Allen, Frogpond 37.1

And Ron Moss.

old horses

days of endless rain

in their eyes

     Ron C. Moss, The Heron’s Nest XVII.4

Both these poems are among the shortlisted ones for the annual Touchstone award poems. I hope they win! There are also some other really brilliant poems in that list. Check them out on the Haiku Foundation page on Facebook.

NaPoMo, April 16

Today again a tanka by Sanford Goldstein who is considered a master of the genre.

each night before sleep,

my long catalogue of the dead

as if by drum beat,

and each time as if anew,

the echo of gone,forever gone

Sanford Goldstein

NaPoMo, April 15

It may or may not be considered one of her best,but I like this one a lot and what's amazing is that she says it's one of her earliest. You can well imagine the quality of the work she produced later.

Here is Claire Everett for you.

unshackled from myself

I am just

a passing thought

in the mind

of the forest

Claire Everett

NaPoMo, April 14

Whether she writes haiku or tanka, Michele Harvey is always special. Here is a tanka by her:

all I need

is the conversation of clouds

they too

talk of comings and goings

and moments in the sun

Michele L. Harvey

NaPoMo, April 13

Welcome to the two new followers to this blog! Hope you all are enjoying the posts.

The poet for this thirteenth day of month is Michael McClintock who again needs no introduction and it was difficult choosing just one tanka from his many beautiful ones, but maybe I could post another one or two by him later in the month.

For today,I'll go with this one:

an old photo

of my parents

young and happy--

of all the things I own,

this is the saddest

Michael McClintock

NaPoMo, April 12

A poet who I don't know much about...except this.

"I'll tell you what love of this life is,

It's looking up

through trees newly bare of leaves

and seeing there the oldest road,

a broken line of white stars

stretching out across the sky.

It's thinking

this could be enough"

Susan Elbe

NaPoMo, April 11

I hadn't known of Peter Meinke until very recently. Actually, my daughter discovered him for me. But since then, I've read a bit of him and here is one of those that I've enjoyed.

Advice to My Son 

The trick is, to live your days

as if each one may be your last

(for they go fast, and young men lose their lives

in strange and unimaginable ways)

but at the same time, plan long range

(for they go slow; if you survive

the shattered windshield and the bursting shell

you will arrive

at our approximation here below

of heaven or hell).

To be specific, between the peony and the rose

plant squash and spinach, turnips and tomatoes;

beauty is nectar

and nectar, in a desert, saves–

but the stomach craves stronger sustaenance

than the honied vine.

Therefore, marry a pretty girl

after seeing her mother;

Show your soul to one man,

work with another;

and always serve bread with your wine.

But son, always serve wine.

Peter Meinke

NaPoMo, April 10

A poet of his caliber doesn't need any introduction among haiku and tanka lovers.
He is inimitable, Larry Kimmel... and I simply love all his poems. Many of his tanka are much-known and much-read; so I am just picking up one here randomly and hoping that not too many of you have read it before.

at the chapel window

the wind-stirred bittersweet...

lately,

and I don't know why,

great age seems unnecessary

Larry Kimmel

NaPoMo, April 9

I would post a E.E.Cummings poem everyday if I could, but to start with and just to keep things under check, this one for today.

The Sky Was

the

         sky

                     was

                can    dy    lu

       minous

                      edible

 spry

                   pinks shy

    lemons

                           greens    coo    1 choc

olate

s.    



      un    der,

  a    lo

    co       

 mo  

                 tive        s  pout

                                          ing

                                                vi
                                                 o
                                                      lets



                E.E.Cummings

NaPoMo, April 8

A bit of wry humour, a touch of melancholy.
Today's poet is Scott Abeles.

old photo

I am sun-stained and wild

unripe --

I can still become a raisin

I can still become a grape

S.M. Abeles 

NaPoMo, April 7

A lovely tanka by J.Zimmerman for today.

thirty years later

holding hands at breakfast

coffee weaker

pancakes smaller

but the grip still strong

J.Zimmerman

NaPoMo, April 6

Maybe, just maybe, you haven't read this poem by modernist poet Williams Carlos Williams, before?

The Red Wheelbarrow

so much depends
upon 



a red wheel
barrow



glazed with rain
water 




beside the white
chickens

Williams Carlos Williams 

You can keep on wondering about why "so much depends upon", but ah,the image!!

And just in case you're interested in a little more, here's a link:

http://www.studentpulse.com/articles/536/the-red-wheelbarrow-dissecting-the-minimal-masterpiece

NaPoMo, April 5

An endless number of haiku and tanka have been written about cancer and chemo. But, for me, the poem featured here today, must be one of the very best among them, because of its understatement.

her note mentions

the blueberries blossoming

and the lettuce coming up

also, in passing,

chemotherapy

John Stevenson

NaPoMo, April 4

I bring you today this tanka by Beverly George.

this blue balloon--
how far has it travelled

to bob down in my garden?

on it, love from mummy

to Wll...age five...in heaven

Beverly George

NaPoMo, April 3

A slightly longer poem by Kamala Das, a prominent Indian poetess who passed away a few years ago, is the featured poem today.
And to think I've discovered her only recently (though I've known about her always), because of a dfisparaging remark made by somebody.

I Shall Some Day

I shall some day leave,leave the cocoon

You bulit around me with morning tea,

Love- words flung from doorways and of course

Your tired lust. I shall some day take

Wings, fly around, as often petals

Do when free in air, and you, dear one,

Just the sad remnant of a root, must

Lie behind, sans pride, on double-beds

And grieve. But I shall some day return,losing

Nearly all, hurt by wind, sun and rain,

Too hurt by fierce happiness to want

A further jaunt or a further spell

Of freedom, and I shall some day see

My world, defleshed, de-veined, de-blooded,

Just a skeletal thing,then shut my

Eyes and take refuge, if nowhere else,

Here in your nest of familiar scorn...

Kamala Das

Mandatory warning: 

I know my poet friends need no warning, but for others who might read these posts, all the poems featured this month are only poems I adore and by no means a reflection on or connected with my personal life.

NaPoMo, April 2

For the second day of NaPoMo, I bring you a delightful tanka by Pamela Babusci.

giving

back the ring

taking

back my heart

April rain

Pamela A. Babusci

Tell me, could you hear the sound of rain here?

NaPoMo, April 1

April might have gotten a bad name when T.S.Eliot called it the cruellest month, but April is also called the National Poetry Month (NaPoMo), and though the trend originated in America, now it is observed almost worldwide, when poetry is celebrated by poets, readers and booksellers especially
in various ways. Many also do participate in NaPoWriMo (National poetry writing month) by writing a poem everyday throughout April.Since my own poeticity has reached a new nadir, I've decided to celebrate NaPoMo by posting a favourite poem of mine (by others) each day here on the blog.At least I can do that.

So I start today with this tanka by Amelia Fielden.

no special date

just another breakfast

when I pour

cornflakes into a bowl

and miss Dad bitterly

Amelia Fielden

when february is here - NaHaiWriMo, third week

The third week at NaHaiWriMo was all about nouns and since haiku is, more often than not, written about nouns, many among us must have had sighed in relief,but though it started innocuously enough,later on in the week, we were again left struggling. At least, I did. The easiest words are sometimes the most difficult to write to. The prompts were: Nest, Nickel,Nosebleed (yes, that's right, nosebleed it was), Neon, Nuance, Notebook and Newlywed.

A few that I managed to write:

nickel moon

the shine

in the beggar-girl's eyes

neon sky

the pavement sleeper mumbles

in his dream

cloudless sky

how the blackbirds fill it

song by song

Newly Married--
the car idling 

by the tiger-lily bush

when february is here - NaHaiWriMo, second week

Into the second week and if I had thought things would become easier after the adverb prompts, I was soon proved wrong.This week's prompts were all about adjectives and they were: Native, Nuclear,Novel (not as a noun, but as an adjective, mind you), Northwest ,Numeric,New-fangled and Neuter.

Here are a few of what I wrote in response.

trailing lily roots-

the boatman sings

in his native tongue

nuclear family

the button

in the new-born's hands

northwest wind-
the desert-rimmed eyes
of the camel

loft ladder

seven wobbly steps

to the stars

pencil shavings-

all these days

without a poem

when February is here... NaHaiWriMo, first week

February,known as the shortest month for writing the shortest form of poetry, has been synonymous for me with NahaiWriMo since  2012. Though NaHaiWriMo continues on Facebook throughout the year,February is special as NaHaiWriMo founder Michael Dylan Welch himself is the prompter this month with a new prompt each day and many old and new poets in the haiku community join in and take up the challenge."Challenge"...hmm, you can say that again, because MDW is a real tough and ruthless prompter and it gets really challenging to tackle the prompts he throws our way day in , day out. Yet that must be the reason why NHWM is on its 5th year and I am doing it for the fourth year in a row.And if you're not participating in this February event, yet inquisitive about it , read on.

This year all the prompts star with the alphabet "N" (as part of a continuing alphabetical series. Last month Chrissi Villa's prompts had all started with "M" and next month it would be "O" and so on.) and we were informed that in the first week, they would all be adverbs Though I had sat and made a list of all the N-words we are likely to encounter in the course of this month, I had never bargained for this twist in the tale.

However, these were the prompts for the first week and my own rather feeble responses to some of them.

1st Feb:  NOW

now...

the distance between

me and my teacup

2nd Feb:  NOISILY

hard rain

how noisily he strums

the guitar

3rd Feb:  NERVOUSLY

midnight gravel crunch

the way the old house

stiffens

4TH Feb:  NAKEDLY

storefront mannequin so nakedly the dawn

5th Feb:  NONSTOP

nonstop the woods till the cicadas' end

6th Feb:  NONCHALANTLY

no thoughts

of tomorrow...

falling petals

7th Feb: NEAREST

paper boat
the poem that found
the Polaris

January NaHaiWriMo - fourth and final week

The final week of January at NaHaiWriMo and Christine Villa smoothly steered us from the relatively easier prompts to the not-so-easy ones.
The prompts were Mulberry,Milk,Mailbox,Maple,Magnet,Meteor, Mimosa, Medley and Melon.There was another prompt on the final day-- Magic -- which I missed. Here are the ones I attempted.

mulberry silk

cocooned in the fragrance

of grandma

night fog--

the chai at the highway inn

topped with thick cream

spilling out of the mailbox emptiness

lingering

in the maples

sunset

the heat...

van Gogh's sunflowers

cling to the fridge door

shooting star

a plink

in the glass chimes

mimosa

the blush of its blossoms

stain the sky

backyard chatter

the bulbuls

in the momosa

somewhere

in the melon patch

the moon

Finally,thanks, Chrissi, for this month of enjoyable prompts which helped me particularly, to get back in the habit of writing a haiku daily, on the eve of the big February NaHaiWriMo month.

January nahaiwrimo - week three

Mist, Mint,Match, Mosquito, Magpie, Mothball and Mud-- these were the prompts on NaHaiWriMo in the third week of January and here is what I managed to write.

estranged...

the mist

in his voice

mint leaf

a raindrop

turns green

striking a match

in the dark room

the leap of a wasp

drifting off...

this unfinished business

with mosquitoes

monochrome light

the chatter of magpies

at dawn

ma's closet

the scent of mothballs

almost a patina

football field

the squeals as high

as the mud splatter

January NaHaiWriMo - week two

The second week at NaHaiWriMo...the prompts were: Mesh,Mango, Manhole, Mosaic,Maze, Meadow and Mantel.

And the ku I wrote were:

window mesh-

the spider weaves 

a sunbeam

paisleys-

a whiff of summer

in the swish of her skirt

manhole night the beginning of another world

cracked mosaic--

a gnarled branch

against the sky

corn maze

the wind will have

its way

morning fog

the meadow lost

in cowbells

shrugging off

the mantle of clouds

Eucalypts

January nahaiwrimo, week one

NaHaiWriMo is always fun.Since I've not been able to get down to writing small stones, I started doing Chrissi Villa's prompts on nahaiwrimo this month and this is my first week's harvest. The prompts were :Mirror, Marmalade,Murmur,Morsel,Melody, Magnolia and Mask.


gleaming mirror
my questions thrown back
at me



black currant jam
I scoop out a spoonful
of darkness



snaking
across the forest floor
the murmur
of a fire



first morsel-
a mouthful
of toothless smile



windchimes
one or two ripples
in the pond



magnolia buds...
the words you write
on the window-pane


halloween night
everywhere
the raccoon eyes